---
title: "Trunyan Village: Is Bali's \"Skull Island\" Cemetery Worth the Trip?"
type: "TravelGuide"
lang: "en"
canonical: "https://www.geokepo.id/en/panduan/trunyan-village-skull-island-cemetery-bali"
html_url: "https://www.geokepo.id/en/panduan/trunyan-village-skull-island-cemetery-bali"
category: "Temple & Cultural Sites"
guide_type: "culture"
summary: "An honest guide to Trunyan, Bali's Bali Aga cemetery village on Lake Batur: boat access, the overcharging problem, etiquette, and whether to go."
published: "2026-08-20T00:22:33.414485+00:00"
updated: "2026-08-20T00:22:33.414485+00:00"
author: "GeoKepo Editorial Team"
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---
# Trunyan Village: Is Bali's "Skull Island" Cemetery Worth the Trip?

## Introduction

Most places tourists get sent in Bali sell beaches, rice terraces, or elaborate temples. Trunyan sells something else: a cemetery. The village sits on the eastern shore of Lake Batur, hemmed in by the caldera wall and reachable only by water, and for decades it has been one of the most talked-about, and most misunderstood, stops on the Kintamani circuit. People call it "Skull Island," though Trunyan is not an island and the skulls are not a display staged for visitors. It is an active burial ground belonging to a Bali Aga community that still practices this tradition today.

This guide gives a straight account: what makes Trunyan culturally distinct, what you'll actually encounter, how to get there without getting caught in the boat overcharging that plagues the route, and how to behave in a place that, for the people who live there, is not an attraction but where they bury their own family. The last section weighs honestly whether a visit is worth the cost and discomfort some travelers feel — not a claim that this belongs on everyone's Bali itinerary.

## The Bali Aga People & Why Trunyan Is Different

The Bali most visitors picture — grand temples, ngaben cremation ceremonies, a caste system shaped by Javanese influence — descends largely from the Majapahit-era elite who migrated from East Java in the 14th and 15th centuries. The Bali Aga, whose name roughly translates to "original Balinese" or "mountain Balinese," predate that migration. They kept older customs, part animist and part Hindu, with their own social structures and marriage rules, and traditionally married within their own community to keep those lines intact.

The best-known Bali Aga villages include Tenganan in Karangasem and Trunyan in Kintamani, and the two developed in different directions. Tenganan is known for its double-ikat gringsing weaving. Trunyan is known for how it handles death — a practice that, to the Bali Aga community there, isn't spectacle but a straightforward extension of a belief that nature already provides a way to neutralize a body without cremation or a full burial.

At the center of the burial complex grows a large tree called the taru menyan — a name locals say is the actual origin of "Trunyan" itself. Menyan means fragrant, and the tree is believed to give off a scent that neutralizes the smell of decomposition from the bodies placed beneath it. Whatever one makes of that explanation scientifically, the belief sits at the core of the village's ritual identity and has held across generations.

Worth being precise about: not every death in Trunyan is handled this way. Only those who died a natural death — not by accident, violence, or suicide — are placed under the taru menyan. Infants and anyone who died an unnatural death are buried elsewhere in the village, following different rites. This isn't a loose custom; it's a belief system with defined categories and clear boundaries.

## What You'll Actually See

After the boat drops you at the burial ground, a short walk along a footpath leads to the site known as Sema Wayah. There, bodies rest on the ground surface, sheltered by triangular bamboo cage structures called ancak saji, rather than buried underground. Traditionally there are 11 designated spots under and around the taru menyan for placing a new body. Because that space is fixed while the village keeps losing members over time, older remains and skulls get moved aside and arranged on stones or simple shelves to make room for the next one. The rows of skulls that show up in most tourist photos are the result of that ongoing rotation, not an arrangement staged for cameras.

What surprises a lot of first-time visitors is the absence of the overwhelming smell they braced for. Whatever role the taru menyan plays, a more grounded explanation is the combination of open-air circulation, climate, and the fact that most visible remains have already been decomposing for a long time. Even so, this is a real cemetery, with human remains visible up close and no glass barrier or museum-style distance — something that unsettles some visitors, reasonably so.

The stop at the burial ground itself is usually brief, around 15 to 30 minutes, depending on how much you want to pause for a guide's explanation. Counting the round-trip boat ride from Kedisan or Toya Bungkah, the whole outing typically runs 1 to 2 hours. Some routes also make a short stop at Pura Pancering Jagat, the village temple adjacent to the burial complex.

## Getting There (and Avoiding the Boat Overcharging Problem)

There is no road to Trunyan. The village sits at the base of a cliff on the eastern shore of Lake Batur, and the only way in is by water, from a jetty in Kedisan or Toya Bungkah on the lake's western side. That isn't a stylistic choice — it's geography — and it's exactly why access to the village is entirely in the hands of local boat operators.

This is where the most common tourist complaint sits, and it's been documented for long enough to call it a pattern rather than an isolated bad experience: a cluster of boat operators at the jetties routinely quote prices well above the posted rate, pressure travelers who show up without a plan into paying large sums, or add extra charges mid-trip after an initial price has already been agreed. Some jetties display an official price board, but what actually gets charged often doesn't match that number, particularly for foreign visitors traveling alone who look unfamiliar with the area.

A few things that genuinely help:

- Agree on a price explicitly, ideally repeated back before boarding — including whether it covers the round trip, how long the boat will wait at the cemetery, and whether a stop at Pura Pancering Jagat costs extra.
- Consider booking through an established tour operator, or through your accommodation in Kintamani or Ubud, which usually already has a fixed-rate arrangement with a specific boat operator. It costs more, but removes most of the on-the-spot negotiation risk.
- If arriving independently, go as a group to split the cost — boats are typically chartered per vessel, not per person, so the per-head price drops with more passengers.
- Be firm but polite if the amount requested at the end is well above what was agreed. Carrying exact change and not flashing a wallet full of large bills also reduces the pressure to overpay.
- Watch for unofficial "guides" who approach before you reach the jetty offering to "arrange" the whole trip — this is often where opaque price negotiations start.

The honest reality is that plenty of travelers still pay more than they should even after negotiating, and that's a part of the experience tourism material rarely admits. Knowing about it beforehand at least puts you in a stronger position to push back.

## Etiquette & Respectful Behavior

This is easy to lose sight of amid the curiosity: Trunyan is a working cemetery for a living community, not a photo set or a history museum. The remains and skulls on display belong to family members of people who may well be standing nearby.

A few basic principles:

- Do not touch any skull or bone, even if a guide offers or seems to allow it — a serious violation of the site's sanctity.
- Ask before photographing, especially if remains appear relatively recent or family members present seem to be mourning. Some parts of the site may be closed to photography at certain times.
- Dress modestly — covered shoulders and knees is a reasonable baseline for any sacred site in Bali.
- Keep your voice down. This isn't the place for loud laughter or a cheerful vlog-style narration.
- Follow your guide's direction on which areas are open to visitors and which aren't.
- Consider a voluntary donation toward the site's upkeep, separate from the boat fare, acknowledging the community that keeps this place accessible at all.

It's worth remembering that for the people of Trunyan, this openness isn't free of ambivalence. There's income from tourism, but also real discomfort when their ancestors' burial ground gets labeled an "attraction" or turned into sensational social media content. The best posture for a visitor is to remember they're a guest in a space of mourning, not an audience at a show.

## Is It Worth It? An Honest Verdict

There's no single right answer here, and anyone who insists Trunyan is a must-see for every traveler in Bali is probably glossing over what makes it complicated.

The case for going: Trunyan offers something rarely found on Bali's more conventional tourist track — a genuine, still-living window into pre-Majapahit burial practice, carried on by a community that treats it not as a cultural reenactment but as a belief they actually live by. For anyone interested in anthropology, in Bali's history outside the temple-and-beach narrative, or simply in understanding how internally diverse Balinese culture is, the educational value is real. The boat ride across Lake Batur, ringed by the caldera wall, also stands on its own as worthwhile.

The case for hesitating: the cost of getting there is almost always higher than planned, because of the boat pricing problems already covered, and that's not trivial for travelers on a tight budget. The lake can get uncomfortably hot at midday with little shade around. For some people, seeing human remains up close, without any barrier, is emotionally unsettling rather than intellectually interesting — and there's nothing wrong with recognizing that about yourself before you go. There's also a legitimate ethical question about how much mass tourism, however respectfully conducted, changes the character of an active burial site from what it was originally meant to be.

The most honest recommendation: go if you're arriving to learn something, not to hunt for shocking photos; if you're mentally prepared to see human remains at close range; and if you've braced yourself for boat price negotiations without expecting them to go perfectly. Skip it if your main goal is viral content, or if you already know exposed human remains will disturb you more than they'll interest you. Neither choice is wrong — both are reasonable responses to a place culturally built to confront death directly, in a way few other cultures do so openly.
